Buzz

www.texasmonthly.comtexasmonthly.com - 25 abr. 15:00

How TikTok Made Line Dancing Cool Again

After a few decades in the purgatory of corniness, fans of artists such as Beyoncé and Dasha are embracing the separate-but-together choreography.

www.hollywoodreporter.comhollywoodreporter.com - 25 abr. 13:05

All Jesse Watters Wants Is a Little Good Press

The Fox News primetime host is used to getting name-checked by (and taking phone calls from) Trump, but he insists he’s not in the back pocket of the former president.

www.strangeloopcanon.comstrangeloopcanon.com - 25 abr. 00:35

What can LLMs never do?

On goal drift and lower reliability. Or, why can't LLMs play Conway's Game Of Life?

www.newyorker.comnewyorker.com - 24 abr. 21:45

The Dada Era of Internet Memes

How the viral TikToks of a Chinese glycine factory elucidate our increasingly chaotic digital environment.

www.iheart.comiheart.com - 24 abr. 21:09

Erika Alexander Part 1 - Questlove Supreme | iHeart

Actress Erika Alexander joins Questlove Supreme for a special two-part interview. In the first half, Erika recalls an unusual upbringing that brought her from a childhood in a motel room along Route 66 to the city of Philadelphia.

joincolossus.comjoincolossus.com - 24 abr. 18:32

Putting Theory into Practice

Bill Gurley is a General Partner at Benchmark and Michael Mauboussin is the Head of Consilient Research for Counterpoint Global.

www.nytimes.comnytimes.com - 24 abr. 15:37

Inside the Crisis at NPR

Listeners are tuning out. Sponsorship revenue has dipped. A diversity push has generated internal turmoil. Can America’s public radio network turn things around?

stratechery.comstratechery.com - 23 abr. 16:32

Meta and Open

Meta is making lots of noise about being open, in everything from AI to the metaverse. This isn’t desperation: it’s smart strategy that understands Meta’s true differentiation.

www.hollywoodreporter.comhollywoodreporter.com - 23 abr. 14:45

Critics’ Conversation: ‘Civil War’ and Civic Anxiety

Amid ongoing debate over whether Alex Garland’s latest film sufficiently spells out its stakes, two THR critics ponder the burdens of political art during a particularly fraught election year.